Skip to main content

Les Paul

I watched a fascinating programme on Les Paul last night on BBC 4. I was in two minds beforehand as to whether to bother but it turned out to the best 90 minutes of TV that I have seen in a long time.

I have of course heard of Les Paul and his successful association with Mary Ford, especially "How High the Moon". But I did not realise how great a guitarist and creator he actually was. Most of all, though in his 90's when footage for the programme was shot, he turned out to be a wonderfully engaging personality.

Why was he so successful? Obviously he had a considerable inherent talent (indeed many great talents). Not alone did he develop a unique playing style (combining both country and jazz influences) he was a true innovator of sound and the first to develop overdubbing and multi track techniques which he exploited brilliantly in his own recordings (especially with Mary Ford). However the real secret that came across was a tremendous self confidence in his ability. He seemed to be lucky again and again at different points of his career. For example when he took his band at the time to New York he immediately gained an audience with the great band leader Paul Whiteman. Then when he went to Hollywood he once again gained the immediate attention of Bing Crosby. Later when he had come up with his exciting new instrumental sound he was able to wander into Capitol Records and come up with an immediate contract.


Clearly he had great gifts.

However it is a sobering fact that a great many people of considerable talent who never manage to make any real impression throughout their careers (despite their best efforts).

I think the difference in his case was a calm though considerable self confidence that immediately won over all those that he sought out. This allied to an innate shrewdness and marketing ability acted to ensure his success. Luck generally only comes to those who are prepared to accept it and in this sense he was always prepared.

I rarely have seen a person who seemed so comfortable in his own skin (especially in his later years). As all his many admirers queued up to play with their idol he seemed utterly at ease, revelling in these impromptu sessions (which again is down to confidence in his own inherent ability).

He also displayed a wonderful stand up - or more accurately - sit down comic ability, as if he found it funnier than anyone that he could still be playing before an audience in his 90's.

He of course had no need to worry on this score as both in terms of his wonderful gift and his great natural humour he still outshone all his rivals.

Comments

Popular posts from this blog

Bert Jansch

In the early 70's I spent part of the summer doing some construction work with a motley group in a rehab centre in south Dublin. As the weather was good we lunched outdoors in the middle of the day. A record player was found and an album that I had never heard before was played which I found captivating. One song in particular "Needle of Death" really impacted with me in a way that only a handful of tracks have ever done. Music has the wonderful capacity to resonate - at least occasionally - in a profoundly meaningful manner. And this certainly was one such occasion! I remember looking at the album sleeve and mistakenly leaving with the impression that it was by Bert Yance. And on several occasions over the years, I tried without success to learn more about this artist. Then some 25 years or so later, I spotted a notice outside the College where I work in Dublin promoting an upcoming performance by Bert Jansch nearby in Whelans. In that moment I realised the true id...

Dusty Springfield

The 60’s was a great era for female singers in the UK with the likes of Shirley Bassey, Petula Clark, Sandie Shaw, Helen Shapiro and Cilla Black all making a big impact. However perhaps the most fondly remembered of all is Dusty Springfield. I remember well her earlier incarnation as the girl singer in the Springfields. It was a very competent folk trio that was like the British equivalent of Peter, Paul and Mary. Indeed they had a top 20 twenty hit in the States with “ Silver Threads and Golden Needles ” before the Beatles which was completely unheralded then for a British group.   Though strangely this missed out completely in Britain, they soon established themselves there with " Island of Dreams ” (written by Dusty’s brother - now called Tom Springfield). They had become extremely popular, regularly appearing on radio and TV, when they suddenly broke up. There was no doubting that Dusty was the undisputed star of the group and having discovered the music of Tamla M...

Joan Baez

There was an interesting programme featuring Joan Baez on BBC TV last night. It was fascinating to watch again her early appearances in Club 47 in Cambridge, her collaborations with a young Bob Dylan, and her very public stance as a political activist (esp. as supporter and friend of Martin Luther King). Looking at the concert footage is compelling as one sees a truly beautiful young woman with a unique guitar style and singing voice flawlessly presenting a large repertoire of the "old" folk songs. However on the critical side, perhaps these performances were just a little too perfect leading to the material acquiring a certain off-putting similarity. Ironically though her meeting with Dylan is credited with inspiring her with wonderful "new" songs, somehow even these started to sound like the "old" when given the familiar Baez treatment. I instinctively felt this reservation about her performances - even back in the early 60's - which prevented me fro...