Skip to main content

Dionne Warwick

Some years ago in the mid 90's I found myself following an internal bleeding incident on a busy hospital ward in a Dublin hospital.

All human life seemed to be on that ward but with the constant noise and unending interventions from staff and patients alike I sometimes wished for a little less of that life. Then after several days of stoical endurance, I was unexpectedly transferred to a private room.

Luxuriating in my new found peace, I turned on the hospital radio to hear that a Dionne Warwick special was about to start. And for the next hour as one marvellous Bacharach/David song followed another I felt as if in Heaven.

Dionne Warwick seemed to me to embody true class and sophisticated elegance. Due to her unusual vocal abilities and musical training she was the ideal vehicle to do justice to the intricate and complex demands posed by so many wonderful Bacharach melodies. And Burt Bacharach not only wrote these songs (with Hal David as lyricist) but also produced her recordings with a perfectionist zeal.

It was therefore somewhat ironical that though Dionne Warwick was especially suited to his requirements that it often seemed as if she was being mainly used as a demo singer with so many of her recorded songs proving major hits for other artists.

What she thought would be her first single "Make It Easy on Yourself" was given to Jerry Butler instead and then later became a No. 1 hit for The Walker Brothers in the UK.
Then another of her early recordings "Anyone who Had a Heart" was to become a massive hit for Cilla Black. And this pattern was to continue through the decade with Dusty Springfield, Aretha Franklin, Sandie Shaw, Cilla Black (with Alfie) Herb Alpert and Carpenters among those enjoying big hits with songs that Dionne Warwick had also recorded.

Thankfully, perhaps her best - and Bacharach/David's best - song "Walk on By" did not suffer this fate becoming a major international hit. Among her other big successes of the 60' were "Do you Know the Way to San Jose", "I Say a Little Prayer", "Valley of the Dolls" (not however written by Bacharach/David) and "I'll Never Fall in Love Again".

However by the early 70's the partnership with Bacharach/David had run its course. Though she had have her first US no. 1 on parting through "Then Came You" (with the Spinners), she enjoyed little further success till another big hit in '79 with "I Know I'll Never Love This Way Again". A fruitful collaboration with the Bee Gees then led to huge international success with "Heartbreaker" . And then as Dionne and Friends (i.e. Stevie Wonder, Gladys Knight and Elton John) she was to have another US no. 1 with "That's What Friends Are For".

Just last night she appeared on the "Late Late Show" in Ireland and though now touching 70, still gracious, classy and elegant. As befitted the occasion with St. Valentine's Day approaching, she performed live "What the World Needs Now is Love". With only an unobtrusive backing piano for accompaniment her performance was just exquisite!

Best Recording

I would definitely say "Walk on By. If one wants to know how superb early 60's pop could truly be, I would suggest just listening to this song.


Favourite Recording

I have always loved "That's What Friends are For". Often, these types of collaborations don't come off, but on this occasion the four involved do dovetail together seamlessly (ably abetted by Stevie Wonder's harmonica playing).

Comments

Popular posts from this blog

Bert Jansch

In the early 70's I spent part of the summer doing some construction work with a motley group in a rehab centre in south Dublin. As the weather was good we lunched outdoors in the middle of the day. A record player was found and an album that I had never heard before was played which I found captivating. One song in particular "Needle of Death" really impacted with me in a way that only a handful of tracks have ever done. Music has the wonderful capacity to resonate - at least occasionally - in a profoundly meaningful manner. And this certainly was one such occasion! I remember looking at the album sleeve and mistakenly leaving with the impression that it was by Bert Yance. And on several occasions over the years, I tried without success to learn more about this artist. Then some 25 years or so later, I spotted a notice outside the College where I work in Dublin promoting an upcoming performance by Bert Jansch nearby in Whelans. In that moment I realised the true id

Ray Charles

I cannot say that I was ever a great fan of Ray Charles though I could appreciate that he was very talented. I do remember however that one of the early singles that I purchased was his biggest hit "I Can't Stop Loving You". Those early single purchases were momentous occasions back then providing welcome relief from school routine. I recall the HMV label on which it was released in Ireland with its pale blue colour. In those days one would inevitably flip over the other side to see if it contained some hidden treasure. (It generally didn't)! However I can still hear the closing refrain "Born to lose, and now I'm losing you". As is well known the peak of Ray Charles' popularity came in the early 60's when - unusual for a black performer - he recorded two albums devoted to Country and Western material. "I Cant' Stop Loving You" was a single taken off the first album. However my own particular favourite was "Take Thes

The Beatles

I saw the Beatles second film “Help” recently which proved a nostalgic experience (having seen it originally at the time of its release in 1965). The plot seemed even more ridiculous than it did the 1st time around. However what rescued the whole thing for me were the superb songs like “Help”, “You’re Going to Lose that Girl”, “Ticket to Ride” and George’s “I Need You”. They sounded better than ever which possibly is due to the fact that the film has since been remastered. Indeed their entire catalogue has just been remastered with simultaneous releases of the Box Set and all the individual albums (including other single, B side and EP tracks). Now in the first week of release no less than 11 of these are included in the UK Top 40 (40 years or more after the original recordings). For me, no other band even came close to the Beatles both in the quality and range of the output. Though occasional single tracks by other groups such as The Rolling Stones, Procul Harum, The Moody Blues and